Series "People"
The modern way of life, culture, and society amplify the differences between individuals, dividing them into two categories: those who are famous and powerful, who stand out and are talked about, and the others—mostly anonymous and indistinguishable—who do the talking. The value of these “others” has been lost. All public attention is focused on those who stand out, whether in a positive or negative context. Their every move and gesture is closely monitored; their entire life, often mundane, is skillfully hidden behind a false glow, codes of celebrity conduct, and the illusion of “stage lights.”
Amid this game between celebrities and the media, I ask: where has the true value of a human being gone—the value that lies within and makes one truly human? I believe that every person is a perfect, incredibly complex cosmos in themselves, and as such, deserves the attention of an observer—an observer who is usually absent.
My aim is to gently shift people’s attention away from the “big topics and figures” and redirect it toward the everyday world around them—the people they see daily, often overlook, or misunderstand. These are individuals they may believe they already know, without ever making the effort to truly see them, to enter their world, and recognize their intrinsic worth. To see them from the most humane point of view, to be aware that a human being is standing before them—that is the reason behind my paintings.
By painting portraits of my friends, family, and acquaintances, I strive to uncover that initially invisible essence within them. A new vision of each person appears before me—one that I try to capture on paper, pulling them from the grayness of our perception and saving them from oblivion.
By using a monumental format, I seek to emphasize the human dignity of each individual and give it the significance it deserves. I hope to attract the viewer and lead them to search for this essence—wandering across the surface of paper and pigment—not just to recognize it in the artwork, but to inspire a deeper interest in others, especially those who are closer and dearer to them.
Series "People"
The modern way of life, culture, and society amplify the differences between individuals, dividing them into two categories: those who are famous and powerful, who stand out and are talked about, and the others—mostly anonymous and indistinguishable—who do the talking. The value of these “others” has been lost. All public attention is focused on those who stand out, whether in a positive or negative context. Their every move and gesture is closely monitored; their entire life, often mundane, is skillfully hidden behind a false glow, codes of celebrity conduct, and the illusion of “stage lights.”
Kosta, 100x70cm, Graphite
Julkica, 70x50cm, Acrylic Paint
Brankica,160x100cm, Acrylic Paint-
Grandfather, 100x70cm, Graphite
Sara, 100x70cm, Acrylic Paint
Angelina II, 70x50cm, Acrylic Paint
Self-portrait, 100x70cm, Egg Tempera
Angelina I, 70x50cm, Acrylic Paint
Jasmina, 100x70cm, Egg Tempera
Zivan, 100x70cm, Graphite
Marko,100x70cm, Acrylic Paint
Julka, 100x70cm, Collage
Nesa, 100x70, Acrylic Paint
Petar, 100x70cm, Graphite
Father, 100x70cm, Egg Tempera
Vesna, 100x70cm, Graphite
Self-portrait, 250x200cm, Ink and stamp
Mother, 100x70cm, Egg Tempera
Self-portrait Details
Amid this game between celebrities and the media, I ask: where has the true value of a human being gone—the value that lies within and makes one truly human? I believe that every person is a perfect, incredibly complex cosmos in themselves, and as such, deserves the attention of an observer—an observer who is usually absent.
My aim is to gently shift people’s attention away from the “big topics and figures” and redirect it toward the everyday world around them—the people they see daily, often overlook, or misunderstand. These are individuals they may believe they already know, without ever making the effort to truly see them, to enter their world, and recognize their intrinsic worth. To see them from the most humane point of view, to be aware that a human being is standing before them—that is the reason behind my paintings.
By painting portraits of my friends, family, and acquaintances, I strive to uncover that initially invisible essence within them. A new vision of each person appears before me—one that I try to capture on paper, pulling them from the grayness of our perception and saving them from oblivion.
By using a monumental format, I seek to emphasize the human dignity of each individual and give it the significance it deserves. I hope to attract the viewer and lead them to search for this essence—wandering across the surface of paper and pigment—not just to recognize it in the artwork, but to inspire a deeper interest in others, especially those who are closer and dearer to them.